Night 2 of the Edwardian Ball
SF, January 2010
So...the Ozma costume turned out fucking awesome!
I had 1 week to make this thing...and it all came together in a perfect storm.
Ozma's outfit is basically a white gown with the disticntive, art neuveau "Oz" headress. I really wanted to resemble the Ozma from the original artwork, not so much the girl from the disney film "Return to Oz" (but she looked great too)
Since this was technically a "quickie" costume, I focused more of my time on creating the disinctive headdress.
I already had a muslin empire gown which I was able to use for the dress:
I then created a wide "bertha" collar out of soft gold jaquard scraps, with green chiffon ribbon ties that criss-crossed under the bust to hold the collar in place. I then tacked long streamers of ribbon in all shades of green and gold to the underside of the collar. The collar was held neatly in place at the CF, with a lovely brooch I found for $1.99 on clearance at Michael's!
Next: The Headdress...
I used copper wire to create the headband and "Oz" logo:
Then I found these beautiful, giant peony flowers I attached at each side, over the ears...
I added pearl sprays dipped in glitter and little steamers for that added "aura".
The overall look was better than I could have imagined!
Everything was very comfortable and easy to wear.
(2 thumbs up for Empire gowns!)
As we navigated through huge crowds at the Edwardian Ball, I heard a girl shout out "OZMA, YOU ROCK!!!"
Rad!
Monday, June 21, 2010
Long Overdue...The Edwardian Ball Costumes -Friday's Outfit
Ugh! Trying to play catch up after MONTHS of no updates...
Let's start where I left off...
Edwardain Ball, SF, Jan, 2010
Friday's costume: ~
Vintage Gieger Tyrolian Jacket; black wool with red piping and black frogs, worn over a black turtleneck. Black & White stripe 3-panel "round" skirt with pockets. The skirt waist has been carefully (painstakingly) cartrige pleated to be all-black the top. Black Facing at skirt hem with 1/2" exposed to front. Vintage red straw pillbox hat and pearls. Skirt is worn over a net petticoat.
This outfit was very comfortable and fun to wear.
Let's start where I left off...
Edwardain Ball, SF, Jan, 2010
Friday's costume: ~
Vintage Gieger Tyrolian Jacket; black wool with red piping and black frogs, worn over a black turtleneck. Black & White stripe 3-panel "round" skirt with pockets. The skirt waist has been carefully (painstakingly) cartrige pleated to be all-black the top. Black Facing at skirt hem with 1/2" exposed to front. Vintage red straw pillbox hat and pearls. Skirt is worn over a net petticoat.
This outfit was very comfortable and fun to wear.
Tuesday, January 19, 2010
Edwardian Ball This Weekend!
It's the final countdown!!
The SF Edwardian Ball is just days away!
http://edwardianball.com/
2 nights, and 2 outfits to complete.
Friday: A carnival-esque costume with a long black/white stripe skirt.
Saturday: Thanks to my sis's super-cool idea, I'm making a last minute change...Saturday's outfit is a Princess Ozma costume!
More to follow...
The SF Edwardian Ball is just days away!
http://edwardianball.com/
2 nights, and 2 outfits to complete.
Friday: A carnival-esque costume with a long black/white stripe skirt.
Saturday: Thanks to my sis's super-cool idea, I'm making a last minute change...Saturday's outfit is a Princess Ozma costume!
More to follow...
Sunday, September 14, 2008
Mr. Burns as Al Davis
I made this image for Michael today as he watched the Raiders vs. K.C.....they won, thank God....we needed it!
I've always thought Al Davis looked like Mr. Burns...or the Crypt Keeper...and he has that weird, ultimate power too.
All in all, I'm pretty impressed with myself whipping this together in Illustrator, a program I have never been trained on, but continue to learn :)
Ex-cellent!
Sunday, August 24, 2008
Iconic Inspiration: A study of the Gold Lame' Dress
THIS famous dress is a 1950's design by William Travilla. From what I've researched, this dress has quite a dramatic story. Originally created for Marilyn Monroe's character, Lorelei Lee in the film Gentlemen Prefer Blondes, the dress did not make much film time due to it's sheerness. Still, Marilyn made it famous by wearing the gown to a Photoplay awards ceremony, where someone remarked that her ass looked like "2 puppies fighting under as silk sheet"...LOL, nice! The dress, as well as Marilyn were immortalized in images from this photo shoot sampled here. I owe whoever took these photos a BIG thank you, as I was able to study the dress in detail and see how the fabric was draped. Other than photos, it was very hard to find specific information on how the dress was constructed. Here is a re-cap of what I've found so far :
1.) The dress was created from a circle of metallic tissue lame' with sunburst pleating draped to the wearer's dimensions for a skin-tight fit. I found notes that the fabric itself was sheer and quite delicate. Travilla chose it for the camera effect, so essentially it was not intended for outside wear.
2.) The dress had iron rods (or boning?) down the CF so a deep V neckline could be achieved without the shadow of cleavage. In fact, you can see the impression of boning at the CF neck in the close up shots of Marilyn. The actual cut of the dress is not too revealing by today's standards. Note how the halter is cut high at the armhole & wide at the neck, so there's no "side boob" either. It's the whole package: the cut, fabric (and the wearer's rockin' bod) that makes the dress so unforgettable.
3.) It was not only worn by Monroe, but there's pics of Jayne Mansfield wearing it and possibly Betty Grable & other actresses wore it as well.
4.) The gown had no actual closures...so the wearer had to be sewn in. There's documentation of this in several Monroe biography sources. It is also noted that she selected the dress herself for the Photoplay Awards from the Gentlemen Prefer Blondes designs. Travilla advised against the selection, even he protested it was too sheer & risque for public use, but she insisted, and he sewed her up...
And the rest, my friends, is history.
5.) The location of this actual dress today is unknown. I assume the dress is gone, because of 2 big reasons: 1-The fabric's delicate & metallic tissue lame' is not known for it's longevity. The metal threads are know to break & give way over time. 2-It was altered & worn by others after Monroe, which would have also contributed to its deterioration. If by some miracle this dress was still around, it would be in shreds, and definitely not to the measurements of Marilyn.
6.) Last year, this design was part of a "Lost Dresses of Marilyn Monroe" Travilla Exhibit that turned out to be a massive fraud. They claimed to have the original Travilla dresses on display that were worn by Marilyn herself. I saw pictures of the exhibit, and you would have to be a real dummy to believe those dresses were the real thing. It was painfully obvious they were all copies, and not great at that! Travilla was known for making copies of his costume designs for other uses.
1.) The dress was created from a circle of metallic tissue lame' with sunburst pleating draped to the wearer's dimensions for a skin-tight fit. I found notes that the fabric itself was sheer and quite delicate. Travilla chose it for the camera effect, so essentially it was not intended for outside wear.
2.) The dress had iron rods (or boning?) down the CF so a deep V neckline could be achieved without the shadow of cleavage. In fact, you can see the impression of boning at the CF neck in the close up shots of Marilyn. The actual cut of the dress is not too revealing by today's standards. Note how the halter is cut high at the armhole & wide at the neck, so there's no "side boob" either. It's the whole package: the cut, fabric (and the wearer's rockin' bod) that makes the dress so unforgettable.
3.) It was not only worn by Monroe, but there's pics of Jayne Mansfield wearing it and possibly Betty Grable & other actresses wore it as well.
4.) The gown had no actual closures...so the wearer had to be sewn in. There's documentation of this in several Monroe biography sources. It is also noted that she selected the dress herself for the Photoplay Awards from the Gentlemen Prefer Blondes designs. Travilla advised against the selection, even he protested it was too sheer & risque for public use, but she insisted, and he sewed her up...
And the rest, my friends, is history.
5.) The location of this actual dress today is unknown. I assume the dress is gone, because of 2 big reasons: 1-The fabric's delicate & metallic tissue lame' is not known for it's longevity. The metal threads are know to break & give way over time. 2-It was altered & worn by others after Monroe, which would have also contributed to its deterioration. If by some miracle this dress was still around, it would be in shreds, and definitely not to the measurements of Marilyn.
6.) Last year, this design was part of a "Lost Dresses of Marilyn Monroe" Travilla Exhibit that turned out to be a massive fraud. They claimed to have the original Travilla dresses on display that were worn by Marilyn herself. I saw pictures of the exhibit, and you would have to be a real dummy to believe those dresses were the real thing. It was painfully obvious they were all copies, and not great at that! Travilla was known for making copies of his costume designs for other uses.
Labels:
fraud,
Gold Lame Dress,
jayne mansfield,
Marilyn Monroe,
Travilla
Subscribe to:
Posts (Atom)